Call for Submissions – Hasselblad 2010 Masters Awards
Hasselblad invites photographers to submit photographs to be considered for the 10th annual Masters Awards. The 2010 competition will feature a new category to cover wildlife photography.
Hasselblad today announced that it is accepting submissions for the 2010 Hasselblad Masters Awards competition. Each year Hasselblad awards the title of Master photographers in a range of specially defined categories. Awards are granted in recognition of the photographer’s contribution to the art of photography and photographic ability in the areas of creativity, composition, conceptual strength, and technical skill.
Photographers are invited to submit up to 5 images in each of the following eleven categories: architecture, editorial, fashion/beauty, fine art, general photography, nature/landscape, portrait, product, up-and-coming, wedding/social and, for the first time, wildlife. One Master will be chosen for each of the eleven categories.
The High Dynamic Range (HDR) Landscape Photography Tutorial
Text and images copyright Royce Howland, all rights reserved – Read the full article at:
http://www.naturescapes.net/072006/rh0706_1.htm
Table of Contents
| 1. | Overview | |
| The Situation | ||
| A New(-ish) Approach | ||
| 2. | What is HDR? | |
| Definition of HDR | ||
| HDR vs. 8- or 16-bit Formats | ||
| Capturing HDR Image Data | ||
| What Is HDR Good For? | ||
| 3. | Setting Up the Input Images | |
| Physical Setup | ||
| Camera Setup | ||
| Determining the Exposure Sequence | ||
| RAW Conversion | ||
| Single Frame Scenes vs. Multi-frame Stitched Panoramas | ||
| 4. | Processing a Single Frame HDR Image | |
| Tools Used | ||
| Workflow 1 – Photoshop CS2 | ||
| Workflow 2 – Photomatix Pro | ||
| Comparison of Workflow Results | ||
| 5. | Processing a Multi-Frame Stitched HDR Image | |
| Tools Used | ||
| Differences from the Single Frame Workflow | ||
| Workflow Overview | ||
| 6. | Gallery of HDR Images | |
| 7. | Conclusion | |
| Wish List | ||
| References |
BBC Wildlife Veolia photographer 2009 stripped of coveted title

Entries now open for the Wildlife Photographer of the Year 2010
The Veolia Environnement Wildlife Photographer of the Year has been stripped of his £10,000 title after judges said they suspected that the winning photograph featured a ‘trained’ animal.
Spanish photographer José Luis Rodriguez had entered a photo of an ‘Iberian wolf’ jumping over a gate.
But the competition’s strict rules ban model animals from featuring in submitted photos.
The Natural History Museum, which helps organise the competition with BBC Wildlife Magazine, today confirmed that Rodriguez has been disqualified.
As a result there will be no winner of the 2009 title.
NEWS UPDATE: Photographer faces lifetime ban
Rodriguez denies that he used a ‘model wolf’.
A spokeswoman for the Natural History Museum said organisers were saddened by the outcome of their investigation: ‘The judging panel was reconvened and concluded that it was likely that the wolf featured in the image was an animal model that can be hired for photographic purposes and, as a result, that the image had been entered in breach of Rule 10 of the competition.’
She added: ‘The judging panel looked at a range of evidence and took specialist advice from panel judges who have extensive experience of photographing wildlife including wolves. They also considered the responses to specific questions put to the photographer, José Luis Rodriguez.’
It is understood that the picture, entitled ‘Storybook Wolf’, was captured using a specially set up camera trap. The animal would have triggered the shutter by crossing an infrared beam.
Commenting on the controversy, wildlife photographer Andy Rouse told Amateur Photographer (AP): ‘The fall out from this scandal will continue for a long time and will ultimately affect the photographer, the competition and the reputation of wildlife photographers in general.’
In an exclusive article for the AP Rouse added: ‘To my knowledge no image has even been taken like this of the Iberian Wolf. It is an incredibly rare and shy animal, avoiding human contact at all costs and highly suspicious [of humans] due to years of persecution in its homeland.
‘To get this close, to get the lighting so perfect and the timing so exquisite was just incredible and I was slightly in awe of the photographer.’
José Luis Rodriguez, who lives in Spain, could not be reached for comment despite numerous emails and phone calls to his office.
His son told us that the photographer was currently on assignment in Madeira where he has been photographing ‘marine birds’.
The Wildlife Photographer of the Year is billed as the world’s most prestigious photography competition of its kind.
The 2009 awards pulled in a record 43,135 entries from 94 countries.
Organisers told AP that it would be unfair to choose a new winner as the competition judging process is ‘blind’.
The museum spokeswoman said: ‘As the photographers are now known, as well as all the details about the images, it would be impossible to make an objective choice of an overall winner and it would be unfair to all the photographers who entered the competition.’
Making money by selling your photos on the web

If done correctly you as a photographer could earn a decent monthly income from selling your images through stock photography agencies.
Many aspiring and hard working photographers get to a point when their images are no longer considered amateur and their images actually start to get some sort of commercial value. But where do you begin if you want to start selling images online? The easiest starting point is to sign up on some stock photography web sites, submit a portfolio of images for approval and then keep adding to your catalogue of images for sale. Stock imaging sites have thousands of photographers submitting images daily and literally millions of images online. The stock agency takes care of all sales and legalities and as a contributing photographer you get a commission on all sales of your image(s). The amount you receive as commission is considered by many initially to be a kick in the face as you will normally receive just a few cents (US $) per sale of your image but it is important to note that your image can keep selling over and over again. If you have a particularly good image it can sell many times a day, every day and the more of these type of images you have in your catalogue the quicker you will see your income start turning from cents into dollars and the quicker you have 500+ images online the quicker you could start seeing your monthly income grow and if done right, you could even one day be able to live off that monthly income.
When you first sign up at a stock agency, your first requirement is to submit a portfolio of images for approval. This process ensures that your images are of a high standard and meet the requirements of the stock agency. Things like image noise, over-sharpening, JPEG artifacts, composition etc are stringently checked by image moderators and if your images meet the standard your initial portfolio will be approved and you can then start submitting images regularly. Most photographers do not get their first portfolio submission approved and to many this can be very disheartening but don’t give up just yet. Visit the forums on those stock sites, put some of your images up and ask other photographers where you went wrong and how you can fix your images before you resubmit your portfolio. There are many people on these forums willing to give freely of their time and their guidance will get you on the road. Some photographers only get through on their 3rd or 4th attempt simply due to the fact their images contain noise and other simple image problems that are easily remedied. Once you know the recipe the stock agency is looking for you’ll be able to stay on track and have a reasonably good acceptance rate thereafter.
Your next step is finding out WHAT sells and then start concentrating on image types that are selling and then constantly improving on those. It’s easy to see what sells by typing in keywords in the search boxes on a stock site and then viewing the images that have sold the most times. Simply trying to copy someone elses image is NO guarantee that you will get any sales, try and be original and produce images that other will try and copy. If you work hard at it and play your cards right you could eventually earn a living from stock photography.
Some stock sites to get you started:
Veolia Environment BBC Wildlife Photographer of the Year 2010
Brought to you by The Natural History Museum, BBC Wildlife Magazine and Veolia Environment, Now in its 46th year, the competition has become the international measure for great wildlife photography. It plays a crucial role in raising the profile of wildlife photography and stimulating an awareness of nature conservation, and the winning pictures are seen by millions of people around the world.
We’ve made several exciting changes to the competition this year. For example, we are introducing a brand new special award, called Wildlife Photojournalist of the Year, for the best portfolio of striking pictures that tell a powerful story.
A few other things have changed, too – we no longer allow captive animals, for example – so don’t forget to read the rules properly. Most of all, as part of our continuing efforts to encourage responsible wildlife photography, we stress that it is critically important to put the welfare of the animals and their habitats first.
Read more at: http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/wpy/competition/index.jsp
(Botswana) Wildlife Photography vs Wildlife Hunting
Gaborone — An expert on Friday warned that the banning of hunting in preference to photographic safaris could have a devastating effect on the environment and the wildlife it is expected to preserve.
Wildlife management expert, Dr Larry Patterson said on Friday that the photographic safari model has high financial rewards but studies have shown that it can cause serious environmental degradation. “Although most ecologists would claim to be educationally sophisticated and environmentally concerned, they rarely understand the ecological consequences of their visits and how their day-to-day activities have physical impacts on the environment,” he said at the Kalahari Conservation Society (KCS) annual fundraising dinner, attended by among others President Ian Khama, cabinet ministers, Phandu Skelemani, Dorcas Makgato-Malesu, Pelonomi Venson-Moitoi and Mokgweetsi Masisi.

Dr Larry Patterson, a wildlife management expert warned that the banning of hunting in preference to photographic safaris could have a devastating effect on the environment and the wildlife it is expected to preserve.
Patterson has worked in Uganda, Tanzania, and Zambia and conducted wildlife management consultancies for international organisations.
He said a survey conducted in 2002 among staff and clients at two facilities in the Okavango Delta asked questions about perceived environmental experiences such as number of animal sightings, encounters with other tourists, number of boats, vehicles, aircraft and tranquility.
“All were quite positive but…asked what they thought about doubling numbers in the next 10 years, they almost all said the experience and the environment would be degraded. Staff was more critical but understandably ‘unofficially’, being unwilling to bite the hand that feeds them,” he said.
Patterson added that a recent study at a tourists resort of Xakanaxa criticised the government for lack of a proper management plan, after finding that 6,000 hectares of land had three up-market lodges and accommodation for 50 employees, two public campsites, two group campsites for mobile safaris, a commercial marina with 30 licensed boats, an airstrip, as well as 250km of roads with 300 vehicles on a busy day. He praised the hunting model because of its very low environmental impact. He said the model allows extensive areas of low scenic value to be used. He said the usual hunting quota off-take is 2-4 percent, which is insignificant in population dynamics.
“Properly administered hunting is not detrimental to wildlife populations. This is absolutely certain. Evidence is widespread and well-documented,” he stressed.
Patterson attributed the increasing number of wildlife population entirely to the hunting industry. The expert says in South Africa private ranches number 10,000, while Namibia has 1,000, compared to Botswana’s only 100.

In response to Botswana's intention to outlaw wildlife hunting, Wildlife management expert Dr Larry Patterson states that properly administered hunting is not detrimental to wildlife populations and this evidence is widespread and well-documented. The photographic safari model has high financial rewards but studies have shown that it can cause serious environmental degradation.
He expressed hope that in future the majority of wildlife in Botswana will be on private land. He said recreational use of game ranches relieves congestion in parks and wildlife management areas. He said photographic and hunting models for wildlife management should be supported for their conservation value.
He acknowledged that some hunters may be unbalanced fanatics and bad behaviour by such unscrupulous elements hurts the image of the hunting industry. “Human emotions dictate that a majority of people are unable to divorce hunting ethics from conservation.
They see it as unfair that a hunter should use a high-powered rifle and modern technology to collect his animal and even worse that he should derive pleasure from it. The hunting industry needs to clean up its act and its image more so in this part of the world where it is saddled with the historical baggage of colonialism and the Boer image,” Patterson said.
Sourced from: Environment News and Forums South Africa
Fujifilm Getaway Wildlife Awards 2009
The winners and certificate credits of the Fujifilm Getaway Wildlife Awards 2009 have been announced.
Getaway Photographer of the Year : Hans Rack.
Getaway Wildlife Awards – Winners and Certificates:
Animal – General:
Winner: Hans Rack
1st Runner Up: Johan Vermeulen
2nd Runner Up: Mike Karantonis
Top 10 Certificates:
Cathy Jonker, Cheryl Samatha Owen, Isak Pretorius, Johannes Welman, Marius Coetzee, Peter Delaney, Rudi van Aarde, Vincent Grafhorst
Animal Behaviour:
Winner: Kurt Jay Bertels
1st Runner Up: Hans Rack
2nd Runner Up: Cheryl Samantha Owen
Top 10 Certificates:
Andre Sciocatti, Heinrich Human, Hetti Naude, Hilton Kotze, Isak Pretorius, Lee Slabber, Shem Compion, Stephen Earle
Insects and Reptiles:
Winner: Prof Rob Hart
1st Runner Up: Shem Compion
2nd Runner Up: Heinrich Human
Top 10 Certificates:
Isak Pretorius, Johan Booyens, Johannes Welman, Johann Mader, Morgan Trimble, Roeloff Jansen Van Vuuren, Rust Brand, Vida van der Walt
Birds:
Winner: Shem Compion
1st Runner Up: Lou Coetzer
2nd Runner Up: Lou Coetzer
Top 10 Certificates:
Basie van Zyl, Isak Pretorius, Johan Beyers, Johannes Welman, Mark Koekemoer, Natasha du Preez, Vincent Grafhorst
Landscapes and Plants:
Winner: Johan Basson
1st Runner Up: Eugenie Skelton
2nd Runner Up: Loretta Steyn
Top 10 Certificates:
Jaco le Roux, Jean du Plessis, Jeremy Jowell, Johan Basson, Loretta Steyn
Underwater:
Winner: Cheryl Samatha Owen
1st Runner Up: Michael Westcot
2nd Runner Up: Jean Marx
Top 10 Certificates:
Andrew Woodburn, Dr Eugene Viljoen, Jean Marx, Michael Westcott, Steve Mavromatis
People in Nature:
Winner: Luc Hosten
1st Runner Up: Cheryl Samantha Owen
2nd Runner Up: Peter Pinnock
Top 10 Certificates:
Cheryl Samantha Owen, Francois Loubser, Hendrik Louw, Jaco Le Roux, James Campbell, Jeam Marx, Mitchell Krog, Roeloff Jansen Van Vuuren, Susan van Zuilekom
Abstract:
Winner: Kirsten Frost
1st Runner up: Marius Coetzee
2nd Runner Up: Lou Coetzer
Top 10 Certificates:
Arno Marais, Carol Phillips, Rich Kohrs, Hetti Naude, Hilton Kotze, James Campbell, Johann Mader, Kirsten Frost, Liam Cornell, Marius Coetzee
Winning entries can be seen at: http://www.fujifilm.co.za/teltron/view/teltron/en/page11623
Dwarfed by Nature – Lightning Over Pretoria City
This image of Pretoria, the capital of South Africa, shows the city dwarfed in comparison to a massive lightning strike on the surrounding hills. Lightning photographer Mitchell Krog endured several hours of extreme dust storms and cold winds in excess of 80km/h to obtain this image. “It’s disappointing to note how South African’s are “conserving” power, it seems everyone in South Africa has long forgotten the Eskom Load Shedding debacle of last year and the recent and coming price hikes to electricity” says Mitchell.

A massive lightning strike dwarfs Pretoria, the capital city of South Africa. From Mitchell Krog's Lightning Photography Portfolios. (Copyright Mitchell Krog - All Rights Reserved)
This image will soon be available in print, watch this site for more details to be announced soon.
Electric Sunset – Spring 2009
On the South African Highveld, Spring has jumped into high gear already with the first major thunderstorms now circulating the region. After a very long and dry winter, the rain is a big relief for all and sundry, for South African Lightning Photographer Mitchell Krog it’s work as usual chasing storms. This image below captured an electrical storm at sunset.
Mitchell Krog explains the story:
Some storms were circulating our area from around 3pm in the afternoon, around 5:30pm I noticed a gap in the clouds on the horizon that showed potential of the sun being able to find it’s way through. I got my kit and drove down to a nearby field. Because it was raining I was confined to the vehicle and got myself into some rather uncompromising positions to get this shot. I had no option to use a tripod due to the space limitations in the vehicle I was in so I had to get myself into a position that I could shoot out the window and keep the camera handheld as still as possible. 30 minutes later, a stiff back, sore arms and voila it all just came together for one fleeting moment. I would have liked a few ground strikes but with lightning photography you settle for whatever you are given. It’s not often that the sun finds a gap through a storm front but nature is full of surprises.

Electric Sunset. This image taken on the afternoon of the 28th of September 2009 by South African Lightning Photographer Mitchell Krog captured the setting sun with a storm to the right streaking lightning across the sky. It's seldom that the sun finds its way through a storm front. From Mitchell Krog's Lightning Photography Portfolios. (Copyright Mitchell Krog - All Rights Reserved)
4 Days on the Isle of Skye Scotland
The Isle of Skye is simply one of the most dramatic looking island in the world.
It has snowcapped mountains, rugged coastlines, castles, stone temples, waterfalls that plunge into the sea, green farming pastures and massive lakes (lochs). Add a completely unpredictable weather pattern and you have all the right ingredients for landscape/travel photography.
The island is surprisingly large and would take at least one full day of continuous driving to circle. Quite conveniently, the island is split into four main clusters of attractions. We had four days on Skye and planned spending a day in each section, but due to the weather, decided to skip the south east. You could easily spend a month in Skye and still have plenty to photograph.
Read this full article with fantastic images from Travel Photographers John & Tina Reid.
South African Urban Landscape Photography – Pretoria / Tshwane
Landscape photographers will often disregard the Urban Landscape, missing many photography opportunities right on their doorsteps. While lengthy drives several hundreds of kilometres away may reveal pristine landscapes, it is not always possible for many photographers to travel such distances. As a landscape photographer based in or near a city you can still easily keep your landscape photography in tune and up to scratch by using opportunities closer to home.It is also no secret that some of the best images you may ever produce will come from locations close to home, locations that you have become familiar with.

The Voortrekker Monument with the Magaliesburg Mountains in the Distance Photographed from Fort Schanskop in Pretoria. From Mitchell Krog's Urban Landscape Photography Portfolio. (Copyright Mitchell Krog - All Rights Reserved)
South African landscape photographer Mitchell Krog often travels to various locations around South Africa, no matter where he ends up he always seems to find a landscape photography opportunity, be it pristine landscapes or cities full of human elements. It’s all about conditioning, says Mitchell, too many photographers have conditioned their minds to thinking a landscape photograph must be “pure” and “pristine” when quite simply life and our planet is just not that way. We are after all humans and as photographers we should not only seek out untouched landscapes but also from time to time include evidence of our impact on the planet in photographs, including human elements can often add great impact to images.

The Iconic Telkom Tower and The University of South Africa UNISA Buildings at Night Photographed from Fort Schanskop Near the Voortrekker Monument Just Outside Pretoria. From Mitchell Krog's Urban Night Photography Portfolio. (Copyright Mitchell Krog - All Rights Reserved)
Cities are full of exciting things to photograph. Virtually every city in South Africa has a history going back 100 years or more, there are monuments, museums and lots of modern architecture just begging to be photographed. Of course crime in South Africa is always of concern to a photographer but there is a multitude of safe locations around city centre’s and for those safety conscious individuals, shooting in groups is often advisable. Botanical gardens offer a safe haven for photographers and most major cities in South Africa have one with very reasonable access fees, some even free.





