Filter Holder for the Nikon 14-24mm Lens from LEE

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Posted on 26th March 2010 by admin in Lens reviews

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LEE Filter Holder for Nikon 14-24mm Lens

LEE Filters are developing a new Holder System specifically designed for use on super wide angle lenses.The SW150 Filter Holder has been designed to initially fit the Nikon 14-24mm lens, but will also be adapted to fit on other super wide lenses after its initial launch.

The SW150 has two filter slots that take either 150 x 150mm standard filters or 150 x 170mm graduated filters. The holder also rotates, allowing greater control on the positioning of any graduated filters. There are currently no plans for a polarizer for the SW150, due to the fact that the polarization effect is too difficult to control on lenses with such a wide field of view.

The SW150 attaches to the lens via a purpose built collar. Each lens will have a collar attachment specifically designed for that lens. Custom fittings based around standard LEE adaptors ring sizes will also be a future part of the System enabling the SW150 to be used with other lenses.

The SW150 is currently in production and should be available from LEE Filters dealers from June 2010. If you would like to be informed when the holder is available please email the following address mail@leefiltersusa.com This email address is only to register an interest, no responses will be given via this address until the product becomes available.

Filert Holder for Nikon 14-24mm Lens from LEE

Nikon delivers the AF-S NIKKOR 24mm f/1.4G ED: the ultimate wide angle lens

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Posted on 9th February 2010 by admin in Lens reviews

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Johannesburg, South Africa, February 9, 2010 – Nikon today announces a class leading ultra-fast aperture wide angle lens, the AF-S NIKKOR 24mm f/1.4G ED. Designed for professional reportage and landscape photography, the new lens features a ground-breaking optical design for Nikon’s range of class leading FX-format DSLR cameras.

nikon-nikkor-24mm-ultimate-wide-angle

The Ultimate Wide Angle Lens - The New 24mm f/1.4 from Nikon/Nikkor

Ryan Harington, NPS Manager, Nikon South Africa says: “Despite the award winning success of NIKKOR zoom lens such as the AF-S NIKKOR 24-70mm f/2.8G ED, many photographers enjoy working with the shallow depth of field and bright viewfinder image of fast aperture prime lenses, and we are sure this will be widely embraced by the photojournalism community.”

New NIKKOR optical design

The AF-S NIKKOR 24mm f/1.4G ED features a unique optical design which provides improved image quality, with minimal distortion and excellent edge to corner sharpness especially at wider aperture settings. The new optical system combines Nikon’s exclusive anti-reflection Nano Crystal coat, ED glass and aspherical lens elements to deliver brilliant, high contrast image quality with minimised distortion and aberration. The f/1.4 aperture and nine blade rounded diaphragm contribute to render images with stunning NIKKOR trademark bokeh.

Discreet and Durable

The lens boasts a dedicated Silent Wave Motor for smooth and discrete autofocus operation, and is built to last with extensive use of magnesium in its construction, and weather and dust sealing, including around the mount. The AF-S NIKKOR 24mm f/1.4G ED comes complete with dedicated secure fitting hood HB-51, and soft pouch and will go on sale on March 16, 2010.

Specifications

Focal length 24mm
Max/min aperture f/1.4 / f/16
Lens construction 12 elements in 10 groups (with two ED glass and two aspherical lens elements, and Nano Crystal Coat)
Picture angle 84° (61° with Nikon DX format)
No. diaphragm blades 9 pcs. (rounded)
Closest focusing distance 0.25 m/0.82 ft
Filter/attachment size 77mm
Diameter x length Approximately 83 x 88.5 mm
Weight Approximately 620 g/21.9 oz

The new AF-S NIKKOR 16-35mm f/4G ED VR

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Posted on 9th February 2010 by admin in Lens reviews

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The new AF-S NIKKOR 16-35mm f/4G ED VR: Defines a new class of NIKKOR.

Johannesburg, South Africa, February 9, 2010 – Nikon today announces the AF-S NIKKOR 16-35mm f/4G ED VR, the world’s first ultra-wide angle zoom lens with VR for FX-format cameras. The new lens offers an affordable and practical proposition for general photography with FX-format cameras such as the D700.

New Nikon/Nikkor 16-35mm f/4 Lens

The New Nikon/Nikkor 16-35mm f/4 Lens

Ryan Pearman, Product Manager, Nikon South Africa says: “The AF-S NIKKOR 16-35mm f/4G ED VR covers all bases for wide angle shooting and addresses market feedback for a more affordable alternative to the professional AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED or more recent AF-S NIKKOR 14-24mm f/2.8G ED ultra-wide-angle lens”.

Sharper handheld images at slow shutter speeds

The AF-S NIKKOR 16-35mm f/4G ED VR is the world’s first ultra-wide angle zoom lens to feature Vibration Reduction technology, providing the ability to shoot at shutter speeds up to four stops slower. The application of VR complements the f/4 maximum aperture when shooting in low light.

Class leading image quality

The new lens’ complex optical design features Nikon’s exclusive anti-reflection Nano Crystal coat, two ED glass elements and no less than three aspherical glass elements to minimize distortion and aberration, even at maximum aperture. The VR II system and Silent Wave Motor deliver extremely quiet, discrete operation and the nine bladed rounded diaphragm renders delightful bokeh.

Built for everyday use

The AF-S NIKKOR 16-35mm f/4G ED VR balances well with more compact FX format cameras such as the D700 and is consequently built to withstand the demands of everyday shooting. The robust magnesium construction and weather sealing will make it an ideal choice for the adventurous enthusiast and professional photographer. It comes complete with durable hood HB-23, and soft pouch. It is scheduled to go on sale on end February, 2010.

Specifications

Focal length 16-35mm
Max/min aperture f4 / f22
Lens construction 17 elements in 12 groups (with two ED glassand three aspherical lens elements, and Nano Crystal Coat)
Picture angle 107° – 60° (83° – 44° for Nikon DX format)
No. diaphragm blades 9 pcs. (rounded)
Closest focusing distance 0.29m at a focal length of 16mm or 35mm, 0.28m at a focal length between 20mm and 28mm
Filter/attachment size 77mm
Diameter x length Approximately 82.5 x 125 mm
Weight Approximately 680 g/24.0 oz

Nikon Introduces the AF-S NIKKOR 300MM F/2.8 G VR II

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Posted on 10th December 2009 by admin in Lens reviews

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Johannesburg, South Africa, December 10, 2009 Nikon today announces a new super telephoto lens to replace the AF-S VR NIKKOR 300mm f/2.8G IF-ED. The AF-S NIKKOR 300MM F/2.8 G VR II features the new generation of Vibration Reduction technology (VR II) and a new A/M focus mode, making it an ideal choice for sports, action and wildlife photographers. This lens is designed for those who are serious about photography.

Ryan Pearman, Product Manager, Nikon South Africa says: ”The AF-S NIKKOR 300MM F/2.8 G VR II’s comparatively light weight and compact dimensions make it a perfect choice for hand held super telephoto photography, particularly when used with a teleconvertor. The new VRII system offers four or more stops of compensation, and makes this a really practical solution for the news and wildlife photographer”. The evolution of the NIKKOR lens reflects a commitment to developing a range of products tailored to photographers’ needs, and it strengthens the line-up of high-performance NIKKOR lenses.

Sharper action images

The AF-S NIKKOR 300MM F/2.8 G VR II features the second generation built in Vibration Reduction (VRII), providing the ability to shoot at shutter speeds up to four stops slower so sharper images can be achieved when using the camera for hand-held shooting. In addition, the new A/M mode added to existing M/A and M modes enables autofocus priority even if the focus ring is being handled during shooting. Weighing in at 2,900g this is a lens that ticks every box for those who are serious about action photography.

Built for any environment

This super telephoto lens is designed with the photographer in mind and has the same excellent optical system as its predecessor. Those who need extreme speed and quiet to capture wildlife, can rely on the autofocus with a built-in silent wave motor to ensure you won’t disrupt the action. To top off the extensive features,, this lens is also sealed to withstand the affects of dust and moisture, allowing photographers to keep shooting whatever the conditions. Finally, the lens construction features eleven elements in eight groups, including three ED glass elements and Nano Crystal Coat.

Specifications

Focal length 300mm
Max/min aperture Min f/22 Max f/2.8
Lens construction 11 elements in 8 groups
Picture angle 8◦10’
No. diaphragm blades 9 (rounded)
Closest focusing distance 2.3m/7.5ft. (AF); 2.2m/7.2ft. (MF)
Filter/attachment size 52mm
Diameter x length Approx. 124 x 267.5 mm/ 4.9 x 10.5 in.
Weight 2,900g

Nikon Introduces the AF-S TC20E III

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Posted on 10th December 2009 by admin in Lens reviews

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Johannesburg, South Africa, December 10, 2009 Nikon is launching the new AF-S TC20E III, the world’s first teleconverter with an Aspherical lens element. With a completely new optical design it is designed to offer class leading image quality for wildlife and sports photography in a compact form factor.

Ryan Pearman, Product Manager for Nikon South Africa says: “For many photographers using a 2x teleconverter has meant sacrificing image quality for practicality.” He adds, “The ground breaking optics in the new AF-S TC20E III are designed to offer photographers great images when they need to extend the reach of their NIKKOR telephoto lenses.”

World’s first teleconverter with Aspherical lens element

The AF-S TC20E III is the world’s first teleconverter with an aspherical lens element, which delivers brilliant image quality in an easy to handle package. Completely compatible with the latest VR, autofocus and metering coupling systems, the AF-S TC20E III is a ‘must have’ addition to any sports or wildlife photographer’s kit.

Built for professional demands

The new AF-S TC20E III is designed to provide a seamless fit with the NIKKOR range of compatible telephoto lenses, and features rubber seals for body mount, tough release mechanism for intensive use and an oversized button for fast removal with gloved hands. It comes with newly designed caps and a practical storage pouch to protect it when not in use.

About teleconvertors

Teleconvertors are attached between the camera body and telephoto lens to multiply focal length without affecting closest focusing distance. This magnification factor comes at the cost of reduced light transmission which reduces the effective minimum aperture of the lens in use. The AF-S TC20E III reduces aperture by two stops. So when attached to an f/2 aperture lens (such as the AF-S VR 200mm f/2G) the minimum aperture becomes f/4.

Specifications

Max/min aperture Reduces by 2 stops
Lens construction 7 elements in 5 groups (one Aspherical lens)
Closest focusing distance Same as that of a prime lens
Maximum reproduction ratio Double that of a prime lens
Supplied accessories Teleconverter Cap BF-3A, Rear Lens Cap LF-1, Flexible Lens Pouch CL-0715
Diameter x length Approx. 66 x 46mm/2.6 x 1.8 in.
Weight Approx. 330g/11.6 0z

Nikon releases ‘Learn and Explore’ app for iPhone

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Posted on 29th October 2009 by News: Digital Photography Review (dpreview.com) in Software

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Nikon has introduced the 'Learn & Explore' app for Apple's iPhone in collaboration with the 'interactive agency' Molecular. Currently available only to US customers, the app gives photo enthusiasts access to images, video lectures and audio commentary from the company's website and enables them to read and bookmark articles from the Nikon World magazine. It is available for download from the Apple App Store.

Nikon updates ViewNX software

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Posted on 23rd October 2009 by News: Digital Photography Review (dpreview.com) in Software

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Nikon has announced version 1.5.0 of its ViewNX image viewing and editing software. The new version resolves minor issues and extends support to the recently released D3S digital SLR. It also enables location tagging via GPS logs from third-party receivers (including cellular phones) and supports Epson's E-Photo printing plug-in. Furthermore the software can also now run on Mac OS X version 10.5.8 and 64-bit versions of Windows Vista. Nikon has also updated its Transfer software to version 1.5.1.

Nikon D3s – The Imaging Evolution Continues

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Posted on 14th October 2009 by admin in Cameras

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THE IMAGING EVOLUTION CONTINUES: THE NIKON D3S ILLUMINATES NEW LEVELS OF POWER AND PERFORMANCE FOR PROFESSIONAL PHOTOGRAPHERS

Nikon Once Again Redefines Possibilities with D-SLR Photography with Six-Figure ISO Sensitivity for Stills and Video While Enhancing Overall Performance

The New Nikon D3s - Ultimate Sport and Wildlife Camera

The New Nikon D3s - Ultimate Sport and Wildlife Camera

MELVILLE, N.Y. (Oct. 14, 2009) – Today, Nikon Inc. announced the FX-format D3S D-SLR, providing professional photographers with a powerful tool that redefines the boundaries of digital SLR versatility, while maintaining the strength of superior image quality and high speed performance inherited from the groundbreaking D3. The D3S enables not only new opportunities in low-light photography, but also provides photographers with added shutter speed and aperture freedom with a base ISO sensitivity range from ISO 200 to a remarkable 12,800. Additionally, expanded ISO equivalent settings up to a staggering 102,400 are available, enabling photographers to create images previously thought impossible.

The Nikon D3S builds upon the success of the Nikon D3—the professional digital SLR that set new standards for D-SLR performance and utilizes a newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor that also integrates its amazing low-light ability to High Definition (HD) video, creating a uniquely capable multi-media tool to meet the needs of a changing imaging landscape.

“When the Nikon D3 was released, it ushered in a new era of professional digital imaging. Today, the D3S will further reinforce Nikon’s leadership role in the photographic industry as a pioneer in performance-driven technologies that will again break once-rigid picture-taking barriers,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “The ruggedly constructed D3S was engineered to address the real-world needs of professional photographers and provides them with a tool that, when combined with their skills, delivers stunning images in a broad range of shooting conditions and assignment requirements.”

Creative Vision Beyond the Human Eye
The Nikon D3s, with a base ISO sensitivity from ISO 200 to 12,800 makes it possible to capture previously impossible images—image opportunities which were often ignored because of low light levels. Now, in even more demanding lighting conditions, photographers can select expanded sensitivity settings of ISO equivalent 25,600, ISO equivalent 51,200 and an incredible ISO equivalent sensitivity of 102,400 which reveals detail in extreme low-light environments that challenge even the human eye’s ability to discern subject content. In addition, a setting of ISO equivalent 100 is provided.

This industry-first, groundbreaking ISO sensitivity range will make the D3S the camera of choice for photographers who typically face extreme lighting challenges, such as indoor or nighttime sports, spot news, wedding receptions and ambitious nature photography. This broad ISO sensitivity also affords the ability to shoot at faster, action-stopping shutter speeds. D3S shooters will enjoy a major advantage in any situation where light is limited and the use of supplemental lighting is not an option. For the photojournalist, even the highest ISO setting delivers image quality to satisfy the needs of offset printing.

Big Pixels Equal Greater ISO Capabilities
The amazing low-light ability of the D3S, as well as its astounding image quality can be attributed in large part to the engineering behind the newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor, which measures 36×23.9mm. While the pixel size and count that served the D3 were maintained to deliver the pinnacle of image quality, dynamic range, phenomenal tonal gradation and outstanding color, other aspects were engineered to add versatility through broader low-noise ISO sensitivity. Individual pixels measure a large 8.45 microns, which support enhanced sensitivity to light and other qualities leading to superior image fidelity. The D3S captures light and renders images in a way that no other Nikon camera has yet to achieve, with a higher signal-to-noise ratio and an unmatched dynamic range for both stills and HD video throughout its broadened ISO range.

The Nikon D3S adds the extra benefit of an Image Sensor Cleaning function to reduce instances of image degradation resulting from dust accumulation on the optical low pass filter (OLPF) in front of the image sensor. The OLPF oscillates at four specific frequencies to release particles that would disrupt image quality. Sensor Cleaning can be set by the user to cycle automatically when the camera is powered on, turned off, or on demand.

Share the Vision with D-Movie Creativity
Whether on the frontlines or sidelines, the amazing ISO range of the D3S can also be applied while recording HD video clips to give unprecedented low-light ability for movie clips. The refined D-Movie mode for the FX-format offers smooth 1280×720 video at a cinematic 24fps, with a new algorithm that severely reduces the phenomenon of “rolling shutter” typical to D-SLRs while panning. The motion JPEG codec allows for easy extraction of single frames from a video clip and the ability to save it as a JPEG file, while the 720p HD format eases storage, provides faster wireless transfers, and offers video files that are generally easier to use in the field. Photographers can also trim movie clips on the fly by revising the start and end points, and save the edited clip as a copy while maintaining the original. Additionally, the D3S features a built-in monaural microphone, augmented by a stereo microphone input, which is perfect for hot-shoe microphone mounting or the use of wireless microphones for interviews or spot news.

Photographers and film makers alike will appreciate the full aperture control from a wide f/1.4 to f/16, as the FX-format sensor renders low-noise movie clips with outstanding clarity, aided by the large selection of renowned NIKKOR lenses to produce a dramatic depth of field. High Sensitivity Movie Mode allows the utilization of the entire ISO range to capture otherwise hidden details in challenging lighting conditions, more effectively than cameras with smaller sensors. Now, users can benefit from available natural light for applications such as telling a story in a journalistic style in the field or to create a gritty film noir masterpiece without CGI post production. While recording, users also have the ability to control exposure, and will enjoy the added benefits of improved contrast-detect type AF while in Tripod Live View mode.

Performance and Features Defining Versatility
The emergence of the D3 in 2007 provided photographers with a unique fusion of ruggedness, speed, versatility and image quality—characteristics which the D3S now takes even further. Photographers are able to capture images at 9 frames per second (fps) in the FX-format or at up to 11 fps in the DX crop mode, while data is transferred through a 16-bit pipeline for optimal processing speed. Additionally, the buffer has been increased, enabling continuous bursts approximately twice that of the D3 in the JPEG, TIFF or NEF (RAW) formats. Files can also be captured in either 12- or 14-bit compressed or uncompressed formats to maintain the images data integrity. Photographers can also select the new 1.2x crop mode for a modest telephoto effect, while minimally impacting resolution, as photos are captured at approximately 8.4 megapixels (9 fps).

The D3S also features two UDMA compatible CompactFlash™ card slots that can be used for consecutive recording (overflow), simultaneous recording (backup), separating recording of RAW and JPEG files or even copying pictures between the two cards. One or both can also be designated for data-heavy D-Movie recording. Images can be displayed directly from the camera to a High Definition monitor using the camera’s HDMI port and an optional cable.

The D3S features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes, including a phase detection handheld mode and a tripod mode. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To alleviate another kind of noise, the D3S also features a Quiet Shutter Mode which substantially reduces the sound of the camera’s mirror-down cycle, which is perfect for shooting in sensitive environments, such as movie sets, meetings, ceremonies, or while photographing wildlife.

Technologies Engineered for Professionals
The D3S’ speed and performance is the culmination of many Nikon core technologies including the latest generation of the EXPEED™ Image Processing System. The latest iteration of this system is specially designed to keep pace with the D3S’ blazing performance to provide amazing image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3S’ accelerated Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance detection and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject’s movement within the frame.

Nikon’s exclusive 3D Color Matrix Metering II assists in ensuring accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting (ADL), used in combination with 3D Matrix Metering II, helps to determine proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Photographers can also use ADL bracketing for up to five frames of ADL compensation.

To further enhance each photographer’s expression of personal style, Nikon’s Picture Control System allows selection of Picture Control settings including Standard, Neutral, Vivid and Monochrome. Additionally, adjustment can be made to Picture Controls to image sharpening, contrast, brightness, saturation, hue and more. Photographers then have the flexibility to save up to nine personalized Picture Controls on camera and 99 additional Picture Controls externally.

Ready for Work
Engineered for real-world functionality, the D3S is ruggedly constructed with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to 300,000 cycles for maximum accuracy and longevity. Rigid and precise magnesium alloy construction and the familiar form factor of the D3 extend consistent Nikon system synergy.

A bright and accurate viewfinder provides 100-percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 921,000-dot, 3.0-inch super density LCD monitor which is viewable up to 170 degrees, and is safeguarded by a tempered glass cover. Thanks to incredibly efficient internal circuitry, the D3S can capture up to 4200* shots per single charge of the camera’s Lithium-ion battery.

System Strength Withstands the Test of Time
The D3S is fully compatible with Nikon’s Creative Lighting System (CLS) affording photographers a mobile lighting solution that is easy to manage. D3S is also compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and (satellite) date of shooting. Photographers can shoot tethered via USB, or use the WT-4A wireless transmitter to send images wirelessly when speed and mobility are essential. D3S users will also enjoy the system strength bolstered by a comprehensive selection of NIKKOR interchangeable lenses—long heralded for their optical superiority.

Price and Availability
The Nikon D3S digital SLR is scheduled to be available at Nikon Authorized dealers beginning in late November 2009 at an estimated selling price of $5,199.95**. For more information, please visit www.nikonusa.com. Users can see the new D3S, along with Nikon’s entire line of photographic, optical and digital imaging solutions, including the recently announced new AF-S DX Micro NIKKOR 85mm f/3.5G ED VR lens, on display at the Nikon booth (#501) at the PhotoPlus Expo in New York, from Oct. 22 to Oct. 24, 2009.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated its 75th anniversary of NIKKOR optics and announced the production of over 45 million NIKKOR SLR interchangeable lenses. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities.

Source: http://press.nikonusa.com/2009/10/the_imaging_evolution_continue.php

Nikon D3S brief hands-on

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Posted on 14th October 2009 by News: Digital Photography Review (dpreview.com) in Camera reviews

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The new Nikon D3S is the manufacturer's first full-frame DSLR to offer a movie mode, and with a whopping ISO 102,400 maximum sensitivity, is capable of capturing images in near darkness. Nikon was kind enough to leave us a pre-production model at the office so we could have a closer look at the new features and differences to its predecessor - the D3.

Nikon unveils D3S high-speed pro DSLR

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Posted on 14th October 2009 by News: Digital Photography Review (dpreview.com) in Cameras

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Nikon has unveiled the D3S professional DSLR. The new model is an upgrade to the popular D3 and comes with 720p HD video recording and a sensitivity range up to ISO 102,400 for improved low light performance. Images are captured on a new 36 x 23.9 mm CMOS sensor and buffer size has been increased for 48 RAW frames in one burst. Futher improvements include a faster contrast detect AF in Live View and in-camera RAW-processing. Body shape, quality and operation are virtually identical to the D3.

Nikon AF-S DX Micro Nikkor 85mm F3.5G VR

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Posted on 14th October 2009 by News: Digital Photography Review (dpreview.com) in Lens reviews

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Nikon has also introduced an image-stabilised micro lens for DX format cameras, the AF-S DX Micro Nikkor 85mm F3.5G VR. Featuring a whole host of goodies, including an AF-S motor for fast silent autofocus, Nikon's second-generation vibration reduction (VR II) system, and a circular diaphragm for attractive background blur, this lens gives 1:1 magnification at minimum focus distance of 28cm. The 85mm focal length (equivalent to 128mm on full frame) also gives a flattering perspective for portraits. The optical design uses 14 elements in 10 groups with one ED element, and the internal focus design means the front element does not rotate on focusing, enabling the use of lens-mounted macro lights.

Carl Zeiss announces 18mm F3.5 for Canon

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Posted on 14th September 2009 by News: Digital Photography Review (dpreview.com) in Lens reviews |Reviews |Syndicated Press

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Carl Zeiss has announced the price and availability of the Canon-mount version of its 18mm F3.5 lens. The 'ZE-mount' version of the Distagon T* 3.5/18 super-wide angle lens was first shown in March at the Photo Imaging Expo in Tokyo and will be available in Autumn 2009 for a suggested retail price of €1049.

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