Photos look better on a dark background – Are your walls painted black?

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Posted on 31st January 2012 by admin in Photography

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If I had a dollar for every time I’ve visited a forum and seen a photographer urging their viewers to view the image against a dark background because it looks better, I’d be a millionaire by now.

Black or dark backgrounds naturally enhance any and all colours, they can even make sub-standard images appear really good but ask yourself this …. are your walls at home painted black or charcoal grey?

I can guarantee that 99.9% of people will answer NO to that and I can also guarantee that 99.9% of your customers who you try and sell images and prints to also do not have dark black or grey walls in their houses.

If you truly want to visualise how an image will look in your house then view it on an appropriate background colour such as white or off-white shades or other neutral tones. As a photographer you should also think a little bit more about this and stop urging people to view it on a dark background, concentrate on making your images look good on lighter backgrounds, that is after all the conditions that 99% of your customers will use to display your print.

Nikon announces the much anticipated D4

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Posted on 16th January 2012 by admin in Cameras

nikon-d4After years of rumours, Nikon has announced the arrival of the new D4 DSLR camera aimed at professional photographers.

Limits are there to be pushed. And this SLR is made to push them.

The D4 offers a powerful combination of up to 11 fps, a 16.2 megapixel FX-format sensor and phenomenally high ISO (extendable up to 204,800, equivalent). D-movie delivers all the flexibility you need for broadcast quality video. The Kevlar/carbon fiber-composite shutter unit boasts a standard life cycle rating of 400,000 releases, thirty percent more than its predecessor.

Ready for anything, the D4 has the durability and the versatility to realize every shooting opportunity out there.

Key features:

16.2 megapixel FX-format (full-frame) CMOS sensor with fast channel readout and up to 11 fps consecutive shooting in FX-format.

ISO 100–12800: extendable up to 204,800 (equivalent) and down to 50 (equivalent). High signal-to-noise ratio and wide dynamic range.

Multi-area format D-Movie: records Full HD (1080p) movies in FX- and DX-format, as well as in native Full HD (1920×1080) crop. Offers uncompressed full-resolution HDMI output to external devices.

Newly developed, highly durable Kevlar/carbon fiber-composite shutter unit: standard life cycle rating of 400,000 releases, with a maximum shutter speed of 1/8000 to 30s and flash synchronization at up to 1/250 sec.

Multi-CAM3500FX 51-point AF system: individually selectable or configurable in 9-point, 21-point and 51-point coverage settings. Sensitive down to -2 EV (ISO 100, 20°C/68°F).

EXPEED 3 image processing engine with 14-bit A/D conversion and 16-bit image processing for superb tonal gradation.

8 cm (3.2-in.), 922k-dot LCD monitor with auto brightness control. Anti-reflective with wide color reproduction.

3D Color Matrix Metering III: 91k pixel AE AF sensor with full-time face recognition.

100% viewfinder coverage and three Crop Modes: 5:4, 1.2x and DX-format. With viewfinder masking.

Movie frame rates: offers 30p, 25p and 24p and a max recording time of approx. 20 minutes.

High-fidelity audio control: features a stereo microphone input and an audio out for external headphones, which lets you fine tune audio in isolation both before and during recording. A line input setting for PCM linear recorders is also provided.

Storage media: two card slots. One for high-speed CF (UDMA 7) cards and one for high-speed, high-capacity XQD card slots.

Wireless LAN and Ethernet support via optional Wireless Transmitter WT-4 or the newly designed compact Wireless Transmitter WT-5.

Magaliesburg Photographer Trumps Lunar Eclipse Photos

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Posted on 17th June 2011 by admin in AstroPhotography

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Amazing Lunar Eclipse South Africa - Mitchell Krog

The Lunar Eclipse Over South Africa on 15 June 2011 captured as never before by South African Photographer Mitchell Krog

South African Photographer Mitchell Krog, based in the beautiful Magaliesburg region has once again pulled something magical out of his photographic hat. Mitchell, a multi award winning photographer, is no stranger to the night skies and has spent much of the last 5 years photographing them. On Wednesday evening the 15th June 2011 a lunar eclipse event occured over much of the Southern Hemisphere and had sky watchers all over the world outside to witness this magical event.

In South Africa it is currently winter and up on the highveld in the Magaliesburg region it gets especially cold at night.  Braving the cold weather, Mitchell headed out to capture his 4th lunar eclipse and decided to try something different. Instead of just focusing on close up images of the moon, Mitchell decided to go much wider and set up one of his camera’s with an extreme wide angle lens.

What came out of his camera was nothing short of amazing and has certainly trumped a plethora of lunar eclipse images all over the web. Mitchell describes this effect, “A combination of heavy dew fall and misting from the very cold weather is probably what caused the camera to capture this, it is an amazing optical effect like I’ve never seen before and I’ve spent hundreds of nights out photographing the night skies. What I find amazing about this image is that, optical effect or not, it clearly shows the moon sitting in shadow surrounded by the blue glow of Earth’s light. It’s easy for people to jump out and say it’s manipulated but it most certainly is not, this is direct from camera to screen but I’m so accustomed to critics and competitors trying any avenue to demoralize or discredit.”

All we can say is we’re amazed with this image and it already seems to be circulating all over the web and being very much WOW’d.

See more of Mitchell’s incredible award winning photography at his web site http://mitchellkrog.com or on Facebook

Win a Set of 3 Beautiful African Fine Art Wildlife Prints

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Posted on 14th October 2010 by admin in Competitions

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win 3 african fine art wildlife prints from mitchell krog photography

You could stand a chance of winning this beautiful set of 3 African Fine Art Wildlife prints from MitchellKrog.com

You could stand a chance of winning this stunning set of 3 African Fine Art Wildlife Prints from award winning South African Photographer Mitchell Krog. These 3 prints and a whole lot more are currently on display at the Photo and Film Expo 2010.

The expo is a great outing for the family and a great way to support South African Photography.

Click here to enter the competition.

Photo and Film Expo 2010 at Coca-Cola Dome Northgate 14-17 Oct

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Posted on 13th October 2010 by admin in Expo's and Exhibitions

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photo-film-expo-2010-south-africaPhoto freaks and camera lovers need to get over to the Photo and Film Expo, in association with PIX magazine starting tomorrow 14th October until Sunday 17th October 2010. pix-magazine-african-photo-journalEverything and anything to do with photography will be showcased by the world’s top vendors including many local companies and photographers too. It’s a great outing for the family and a great way to support South African Photography. The show runs every day from 9:00am through to 6:00pm with lots of exciting workshops, demonstrations, exhibits and of course over R600,000 of prizes to be won.

Do you really think you should miss Africa’s biggest photo and film expo?

Wildbeest Hippo Encounter – Amazing Wildlife Story from the Maasai Mara, Kenya

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Posted on 28th September 2010 by admin in Wildlife

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Read this incredible story of the amazing interactions between an injured Wildebeest and some Hippo’s during a river crossing in the Maasai Mara in Kenya. Nature sure has strange ways and this account of the humane nature of a hippopotamus sheds new light on these often unpredictable animals.

An amazing story of the interactions between an injured Wildebeest and some Hippo's in the Maasai Mara.

The mistake almost every photographer makes

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Posted on 16th September 2010 by admin in Photography

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Having been actively involved in photography for a number of years now, I’ve been through many different experiences and behaviours and also taken note of behaviour’s from other photographers. It seems that at some point in every photographer’s career something shifts inside them and they feel they have to reinvent themselves and their photography. I’ve seen this trait in photographers from all walks of life right up to the top photographers in the world.

Why is it that when you have developed a recognisable style and have found the recipe for your success do you feel the need to change it? Personally I think boredom or a feeling of going stagnant are to blame and that’s just human nature.

Of every photographer I have seen or known who felt the need to reinvent themselves, virtually every single one spent several years “trying” to unsuccessfully reinvent themselves and after a lengthy frustrating journey they realise that what they were doing all along was the right thing and they go right back to doing things the way they have always done it. Sadly some seem to get stuck permanently reinventing themselves and end up getting very lost and even losing their audience or worse giving up photography.

Please don’t misinterpret this topic as me saying you should not improve or advance in your photography, that’s not what I am saying. I advance and improve on a daily basis, I thrive for creating new and interesting images, I learn new techniques all the time but I do not reinvent the way I do things, I perfect them. I have been down this road like everyone else I’ve known but I luckily realised it quite quickly and stumbled back onto the path I was already travelling.

Happy Shooting ;)

Giving and Getting Meaningful Critique on Photography Forums

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Posted on 10th August 2010 by admin in Photography Forums

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Having spent many years on Photography forums, I’ve delivered my fair share of critique to budding photographers and received an equal amount myself. I’ve personally always taken extensive time out when critiquing an image to make my critique meaningful to the photographer and doing my utmost best to not break their spirit but instead to boost them to try even harder. Giving critique on images is not an easy job by any means and formulating your words so as not to cause offence is a skill that only a few possess. Quite simply, if you do not have the time to deliver a meaningful critique then rather say nothing at all.

I’ve seen so many photographers with oodles of potential sign up on a photography forum and have their spirits broken by people who do not know how to say things nicely or in some cases say things to deliberately break someone’s spirit. There are so many great photographers out there on forums who are more than eager to give of their time and help someone grow and improve, but there are also (quite sadly) some not so nice people who cannot stand the slightest hint of competition and will dig into their toolboxes of nasty comments to try and break someone’s progress.

You need some thick skin to be a photographer and to display your work online but not everybody possesses this. You need to be able to take a meaningful comment and use it to improve yourself and you need to know when someone is simply trying to get under your skin and simply delete their comment or just ignore it.

Now when I say meaningful critique, I mean a lot more than what I call the 3-H-Salute (Three H Salute). The three H salute is simply Halo – Hotspot – Horizon. This is a common tool in the arsenal of forumites who live, eat and breathe forum life, mostly on their employer’s time. Seldom do these type of critiquers ever deliver meaningful comment other than pointing out the blatantly obvious stuff like a) your horizon is slightly off level b) you have a hot spot in the sky or c) you have a halo in your image caused by oversharpening the image or something else that caused a halo effect. Make no mistake, these 3 elements of a photograph are essential to and often unseen by beginners as it is easy to miss these problems in an image when you’re just starting out. But these are not the be-all and end-all of a great image. In fact most great images have some type of flaw in them and most people would never notice that your horizon is slightly off level when there is enough wow factor in the image to keep your eyes peeled elsewhere. Some of the greatest photographers in history could post their work online today and have their work ripped to shreds by intermediate photographers.


Horizon:

Having a level horizon in an image is an important factor especially with seascapes where your horizon is actually a straight line. When it comes to landscapes in the interior of a country however, horizons are often not level by any means and only those who do a lot of photography away from the seaside will know this. Most camera’s today have levelling devices built in or photographers with older digital camera’s can purchase a hot-shoe

Get your 3-Axis Bubble Level from B&H Photo Video

bubble level which will help them level the camera. That said, when it comes to shooting around mountain ranges you may have your camera perfectly level but the image horizon looks off-level due to the way the land is shaped.

Posting such images online will always attract a comment about your horizon and you trying to explain it to the person commenting on it is often just futile because the next image you post will have the same person saying the exact same thing. So, for those starting out, learn to level your camera and trust it regardless of what others are saying. Some forumites go to extreme, often insane levels to prove your horizon is off-level, they’ll take your image into photoshop and draw a level horizontal line and then come back with comments that your horizon is 0.2 degrees off level, do yourself a favour and ignore ignoramuses like this.

Not all horizon's are level. This image shot from a perfectly levelled camera, this is the way the scene appears to the natural eye. Also notice the hot spot which is also perfectly natural. This image would attract numerous horizon and hot spot comments on a forum. Click image for a larger view.

Hot spots occur naturally even to the human eye. There are times when the sun is naturally illuminating clouds so much that they lose all detail. Put your camera down and look at such scenes with your naked eye and you will see for yourself.

Hotspot’s:
A hot spot, normally in the sky section of an image, happens mostly with sunset and sunrise images when you are trying to expose your foreground more and as a result you overexpose the brighter sky section. This causes areas of the sky to lose all detail and have a very noticeable white or “hot” spot. Using filters to control exposure of the sky can eliminate hot spots but there really is far too much fuss about hot spots on forums. Many images from the world’s leading photographers will contain hot spots, I know because I’ve seen it repeatedly. I’ve even seen images that would be ripped apart of a photography forum, take first place in an international photographic competition. Clearly judges who are trained and experienced enough in judging photography can see an image for what it is and do not spend that much time looking for tiny technical flaws in an image. If an image comes in front of a judge and his immediate reaction is “WOW,I wish it were mine”, your image will progress further in the competition without the judges sitting there trying to discredit you on something like a hot spot. Hot spots in all reality are natural occurences that exist to the human eye. Those preaching HDR photography techniques, seem to have convinced themselves that hot spots are foopah and do not exist in real life but seldom do I ever see HDR fanatics ever spending time WITHOUT a camera truly surveying scenes with their eyes, noting down all the tiniest details. If they did, they would notice that even to human eye hot spots DO exist. As I say, those with enough experience like judges of photography competitions, seem to know this and will not kick your image out due to it having a hot spot. So by all means be aware of hot spots, try to expose as best as you can but don’t beat yourself up when you post an image on a forum and you get 15 parrot comments about a hot-spot.

Halo’s:

Extreme Over-Sharpening can cause very visible halo effects on your image. Some halo effects however are natural occurences. This image has been deliberately over-sharpened to illustrate the effect.

Halo’s are a tricky issue. Some halo’s in an image occur naturally due to the way light is bouncing around your scene, other’s are however introduced while processing the image often when sharpening the image. Learn to identify what a halo is, whether it occurred naturally or whether you created it in your post processing. When you receive comments about halo’s in your image, go back to your original frame and look carefully at that section of the image and decipher if you are the one that created the halo or whether it exists in your original frame. If you introduced it, go back to step 1 of your processing and figure out at what stage you introduced a halo. If the halo exists naturally, which it quite often does, due to the way light was bouncing around, simply ignore the comments or if you feel up to it try explaining it to the commenter’s but don’t think they won’t be back saying the same thing about other images from the same shoot where this same anomaly exists.

Forumites will often comment on this as a halo, it's NOT. It's a natural effect caused by contrasting light conditions. This is an unedited image, straight from camera.

While the above 3 elements are important aspects to pay attention to, they are NOT the be-all and end-all of photography. There are much more important factors of an image that go completely ignored because forumites get fixated on the 3-H’s. Critiques on aspects like composition, colour accuracy, tonal range, shadow detail and a host of other things are often in short supply on forums. Mostly it’s because those who like to comment all day long have a fixation with clocking up their post count to make themselves appear as major contributors to the forum, this often results in them trying to comment too much on a daily basis and they literally do not even LOOK at an image but instead just look for the 3 H factors mentioned above.

By all means if you are a budding photographer, eager to improve your game, make no mistake that a forum is a place where you will learn the quickest and the knowledge you will gain from other photographers is invaluable. So don’t think I am knocking photography forums. I am trying to help you not get fixated, upset or have your spirit broken by people who only seem to concentrate on the 3-H’s and never actually look at your image for what it is.

You will learn quickly enough who are the troublemakers on a forum and who are the ones who never have anything good to say. If you find yourself being constantly harassed by someone, report it to the moderators of that forum or just ignore the person or block them from commenting if the forum you are on permits that functionality. Search out the members of the forum who do take time to deliver meaningful critique and send them a private message asking them to comment on your work, you’ll be surprised how many of them will be more than eager to assist you in growing as a photographer and always remember your good manners by saying thank you to those who take the time to help you and give credit where credit is due.

Safely and Securely Backing Up Your Photos and Memories

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Posted on 25th July 2010 by admin in Articles

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Whether you’ve grown your image collection into thousands of images or only have yourself a few hundred prized photographs and memories, just how securely backed up are those images of yours. Do you even have them backed up at all?

Everybody at some point in their life will experience the awful feeling of data loss. This normally happens on a day when you least expect it, when out of the blue your perfectly functioning computer system crashes and dies. You take the system to a technical person who then tells you the bad news, all your data is gone. What do you do other than nearly have a nervous breakdown?

First off there are data recovery labs that in many cases can get your data back, some of them are so good they can even take a hard drive that has been smashed into pieces and get data back bit by bit. This however is an extremely costly scenario, for the most part the charges are by the hour and it can literally run into hundreds of hours and there is no guarantee’s offered whatsoever.

“Oh why didn’t I backup my images” starts to play over and over in your head even haunting you in your dreams.

The answer is to avoid this scenario altogether, it’s not pleasant and I speak from experience. Once you’ve lost data once you spend the rest of your life making sure everything is securely backed up and sadly many people only learn this the hard way.

So what are your options for backing up your images?

Many people with a smaller image collection can get away using CD-roms for their backups. They are one of the most affordable forms of media around and this allows you to make multiple copies to store in different locations. But how safe are CD-roms? Many people mistakenly assume that a CD-rom will last for ever. This is a picture painted into people’s minds in the early days when CD-roms first came onto the market, they were marketed as indestructable. Well quite simply they are not. Simply dropping a CD-rom from a desk can damage the disc badly if it contacts the ground wrong. A CD-rom is nothing more than a plastic disc with a microscopically thin layer of foil material which is the recording surface. If you took a sharp knife and ran it quickly over the recording surface you’d see silver flakes (and data) come flying off. In modern times CD-roms are in mass production and the materials used to manufacture them are cheaper resulting in lower quality products. You can buy CD-rom discs for less than a Rand a disc and you can buyCD-rom discs for a few Rand a disc and there is indeed quite a difference. Cheap no name brand discs will become your worst enemy, they seem fine and seem no different than their more expensive counterparts but there will come a time when you take data written onto a cheap disc, put it into your Cd-rom drive and discover your drive cannot read the disc. You try in a friend’s drive to find the same problem and you eventually discover that disc no longer works ….. what happened …. your data is GONE? “This can’t be happening” you say to yourself. Well uh yes it can. There is major differences in the price of CD-roms due to the quality of the foil recording surface. Cheap CD-roms may only last 1-5 years, more expensive ones may last 5-10 years and then you can get what we call medical grade CD-roms which have a “claimed” lifespan of 100 years. The price between them is remarkably different, the cheap discs can cost R1.00 a disc, the more expensive “name” brands could cost you about R2.50 per disc and medical grade discs could cost you abour R20-R25 each. So depending on just how important that data is, the choice is yours. If you choose to use cheap CD-roms then every year you will need to re-record them and discard the old ones. Trust me this ends up being a tedious process and once your image collection starts requiring several discs at a time it’s time to look at another solution.

The next best solution which works very well is to use external hard drives to back up your image data. Having been personally involved in the high-tech industry for nearly 20 years I have been through just about every brand of hard drive and above all Seagate drives seem to have the longest lifespan and the least chance of failing. I have Seagate external hard drives that are nearly 5 years old and still functioning perfectly so I have standardised on Seagate as a trusted name. Seagate produces a variety of external hard drive solutions called FreeAgent ranging from 250GB drives upwards to 2TB. They also have a range called FreeAgent “Go” which are small enough to fit in your pocket. Using an external hard drive for your backups is quick and easy. You get yourself a program like Super Flexible File Synchroniser and set it up to mirror your images and other data and you can run it daily or once a week. Simply having one external backup is not enough. If you buy yourself one 500Gb external drive you actually need to purchase two and every time you do backups you do it onto both hard drives. One hard drive you can store in your safe (hopefully fire proof) and the other you should store off site at a friend or family member’s house, and preferably in their safe too. Having everything in triplicate stored in 3 different locations guarantees you that should trouble strike you have one totally safe backup. The cost of external hard drives have come down dramatically and they are by far the most cost effective form of storage around but you really need to refrain from saving yourself a few bucks considering cheaper external drives, stick with Seagate (no I do NOT work for them) do your backups in duplicate and store one off site and you’ll be good to go for many years.

When your image collection grows beyond the confines of a 2TB external hard drive it may be time to start looking for a more serious back solution. For this photographers are turning to the Drobo system because of it’s great offerings. Drobo has essentially taken very expensive RAID technologies which were out of the reach of the average Joe for many years and brought out a fully redundant raid product with a more affordable price tag. A basic Drobo which can house 4 hard drives could cost you around R12-14000 or thereabouts. Then you could move onto a Drobo Pro system which is a lot more expensive but can house 8 drives, it all depends on how much cash you wish to part ways with and just how serious you are about your data. Again, having one Drobo storing all your data, even though it has full redundancy, is no guarantee your data is safe. I know of several people whose Drobo’s have crashed on them so essentially like above with external hard drives, if you buy one Drobo, you actually buy two and one gets locked away very safely, preferably off site.

When it comes to data backups you need to have a plan, something you’ve invested some thought into and you need to stick to it religiously. It’s no good storing a backup off site and never updating it. If you formulate a backup plan you will thank yourself one day when things do go wrong, you will rest assured knowing your data and images are securely backed up. I’ll revisit this topic again one day. For now, get backing up.

New look and feel site.

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Posted on 24th July 2010 by admin in Articles

We’ve been spending some time revamping the look and feel of the site and we hope you enjoy the new look. We’ve made the site loading much faster and are still tweaking some elements to further improve your experience. We’re changing the scope of the site slightly from this point on and we will be bringing some new and insightful articles delving into many different aspects of photography whether it be a technique, an observation or simply some great images.

We’ll no longer be feeding articles from other sources into this site but if, like many of our subscribers, you’ve come to rely on this site as your one stop source of information on what’s going on in the photo world, do not fret. you can continue getting all that info at http://www.photography-blog.co.za

Behind the scenes there’s lots going on and we hope you enjoy what’s in store for you in the coming weeks and months. We welcome guest contributions so if you have something you’d like to share simply email it to us on submit@africanphotographyblog.com

So you can HDR but can you do it in one shot and without filters?

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Posted on 24th July 2010 by admin in HDR High Dynamic Range |Landscape

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High Dynamic Range or HDR in it’s shortened form has opened up many new avenues for photography. HDR is a process of blending multiple exposures together to better reproduce the dynamic range of the scene and for the most part it’s a very useful tool indeed. I myself have done many experiments into HDR using bracketing of frames to produce multiple exposures which I can later blend BUT all that blending does take up a lot of time in post processing.

Just doing one image blend with 7 exposures with some fine tuning and manual blending included you can easily spend 1-2 hours to get the image perfect. In some cases it might be worth it to take a very special moment you captured on film and to spend that time working the image to perfection. While this can and does produce some very special effects within images I still find HDR, no matter how well executed, to lack something truly special, an ambience that only a single shot exposure carries.

One exposure requires finding the perfect moment to capture the image.

While some may argue that we’re now in the digital world and we must all move to new and wonderful ways of processing images I say yes and no to that argument. I will use HDR when I find it necessary and with many shoots I will bracket exposures regardless but my primary goal is always to get it right with one exposure. I find simply bracketing exposures on every shoot with the intention of later blending and “fixing” it in photoshop makes one a rather lazy photographer because you tend to find a recipe, set up, compose, bracket and go home to fix. Guilty as charged.

While this approach may be perfectly okay for some I enjoy photography because it challenges my mind. I myself got into a trap for a short while of merely relying on bracketed exposures for nearly all shoots. There were many days when I was too lazy to get out filters and do it properly so it was much easier to just bracket my exposures and do the hard work later in Photoshop.

In the end I was just finding HDR was totally lacking something very special, HDR just looked too perfect and NOT at all how the eye saw it. HDR fanatics (myself included) continually fool themselves into believing that the end product they produce through HDR and image blending is a faithful representation of what they saw, but of the many many photographers I know only a few ever take real notice of what the scene really looks like. The others have their eyes stuck permanently behind the viewfinder relying solely on the camera to capture all the necessary bits of information. I make a point of studying very carefully the scene’s I record and do my best to etch them in my mind, right down to the tiniest details and by doing so I manage to find some very special elements of an image that HDR tends to over-produce and in most cases actually ruin. Shadow areas of an image, for example, are crucial to the depth and feel of an image yet HDR fanatics tend to, what I call rape the shadow areas, lightening them up much more than they appeared to the human eye and it’s so easy to fall into this trap with HDR. Again .. guilty as charged :)

In the last year I have slowly forced myself back to basics, getting exposures perfect with a single exposure, without filters and without bracketing. It’s not always easy depending on light conditions but actually a lot of the time it is and it all comes down to timing, planning and using all available and natural elements to control the flow of light into the camera.

I’ve enjoyed my journey with HDR and I do know I will still use HDR methods for certain work but with landscape, nature and some other forms of photography I’m finding the step back to basics to be producing very special images like none other and it’s made my photography all that more interesting and challenging again. The mental challenge has always been my driving force and it’s good to have that old friend back at my side.

MK

Photographing the African Landscape – Africa Through The lens.

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Posted on 23rd July 2010 by admin in Landscape

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Africa is by far one of the most diverse landscapes in the world and much of it is still undiscovered by the lens. Many photographers would trade a limb to have access to the African landscape yet a great majority of South African photographers seem intent on travelling around the world to photograph landscapes that have been well covered by other photographers, all the while a treasure chest of images lies right under their noses.

Africa holds a treasure chest of landscape photography opportunities. Commercial Fine Art Photography South Africa.

"Mercury Down II" The sun sets and the mercury indicator starts to drop after a very hot day in Namibia - Copyright Mitchell Krog / Living Canvas Photography. All Rights Reserved.

For the budding and professional landscape photographer there is virtually endless landscape photographic opportunities in Africa and Southern Africa. South African photographer Mitchell Krog is no stranger to the African landscape and spends many months a year exploring, discovering and capturing breathtaking images of the beautiful African landscapes. Mitchell chooses to completely avoid re-capturing images which have been captured a million times or more, “I just don’t see the point in photographing things that have are captured 100 times a day when there is just so much that has NOT even been photographed yet” he says.

Photographing the African Landscape, South African Photographer Mitchell Krog is regularly exploring, discovering and capturing breathtaking images of the African landscape. This image from the mountainous Drakensberg area of South Africa captures a beautiful sunrise over the beautiful landscape of this area of Kwazulu Natal.

"Drakensberg Sunrise" - The sun rises over the beautiful and majestic mountainous region of the Drakensberg of South Africa. Copyright Mitchell Krog / Living Canvas Photography. All Rights Reserved.

The greatest parts of the undiscovered African landscape are only accessible via foot and often many kilometers of walking can be involved simply to capture one image. As Mitchell Krog says, “This is the game unfortunately and quite simply if you’re not willing to go the extra “mile”, excuse the pun, you will not return home with any new or unique images that have not been captured already. The Drakensberg region of South Africa, of which the greatest area lies within the province of Kwazulu Natal, is a good example. Photographers seeking to cover this area really need to go many extra miles to get to unique locations and in the Drakensberg there literally is endless locations on offer. The Drakensberg is so diverse and the landscape is ever changing, the light is so dramatic that you could sit and photograph the same scene every day for 365 days and not one image would be the same, it is for this very reason that I can say the landscape opportunities of the Drakensberg are endless.”

Cape Town and the Western Cape of South Africa offer many landscape photography opportunities. A great majority of the Cape has been well covered by photographers but much like the Drakensberg, the Cape is mountainous and the light is dramatic and there are still many opportunities awaiting the photographer. This panorama of Table mountain and the Cape peninsula taken by South African photographer Mitchell Krog.

"Table Mountain at Dusk" - One of the most photographed mountains in the world, Table Mountain. Copyright Mitchell Krog / Living Canvas Photography. All Rights Reserved.

Similarly the Western Cape region of South Africa is also very mountainous and has some very dramatic landscapes. The Cape weather is rather unpredictable but this coupled with dramatic light seems to make for a good recipe for excellent landscape photography opportunities. The Cape is one of the most photographically covered regions of South Africa but this does ot mean that there is not still many landscape photography opportunities in store for the visiting photographer. No doubt South Africa will see many international photographers visiting our shores as the World Cup Soccer draws closer and it will be interesting to see how fresh eyes portray our beautiful landscapes.

Copyright – Living Canvas Photography / African Photography Blog – Duplication in part or whole is expressly forbidden. All images and photographs are copyright to Mitchell Krog & Living Canvas photography and may not be used without prior permissions. All images are available in limited and regular edition print series on archival quality papers and canvas through the web site www.livingcanvas.co.za – You may syndicate articles from this blog using our RSS feeds but all syndicated articles must link back to the original content on this site. Please see the Copyright page for more information.
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Chasing The Storm – Lightning Photography

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Posted on 23rd July 2010 by admin in Articles |Lightning |Photography |SA Photographers |South Africa

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Lightning Storms are one of the most incredible forces of nature. The sheer force of a lightning strike is enough to power a city for months on end but man has not yet learned to harness and store this incredible energy source provided free of charge by nature. As Summer approaches in South Africa, the first rains and electrical storms for the season are already brewing and we’ll soon see what kind of storm activity nature has in store for use this season. Acclaimed South African Lightning and Storm Photographer Mitchell Krog shares some of his images, views and experiences with lightning photography.

Danger Written In The Sky. Multiple=

Danger Written In The Sky. Multiple Lightning Strikes Light Up The Summer Night Sky. If Only Man Could Learn To Harness This Energy. From Mitchell Krog's Lightning Photography Collections. (Copyright Mitchell Krog - All Rights Reserved)

For many years SA photographer Mitchell Krog has watched and studied electrical storms and to this day still stands in utter amazement at this incredible force of nature. In recent years he acquired the equipment and skills to finally capture them on film and he has produced an endless array of breathtaking images. For Mitchell it is not about simply capturing a lightning strike on film but more importantly capturing the entire scene and telling a story through his images. “With any form of photography if you can captivate a viewers attention, draw them into an image, tell them a story and have them study it for more than just a few seconds you have imprinted an ever lasting memory” says Mitchell. Lightning photography can be a very lonely passtime, only those with enough dedication, patience and endurance to be out at strange hours of the night will stand a chance of capturing unique, sometimes once in a lifetime images.

The Big Detour. A passenger aircraft destined for Lanseria airport bypasses a massive storm cell. Missing dinner and staying out till crazy hours comes with the job of photographing lightning storms. From Mitchell Krog's Lightning Photography Portfolio. (Copyright Mitchell Krog - All Rights Reserved)

The Big Detour. A passenger aircraft destined for Lanseria airport bypasses a massive storm cell. Missing dinner and spending many lonesome hours outside comes with the job of photographing lightning storms. From Mitchell Krog's Lightning Photography Portfolio. (Copyright Mitchell Krog - All Rights Reserved)

As with any form of photography, timing is of the essence. If you are unprepared, unwilling or unable to drop whatever you are doing at a moments notice you will miss opportunities. “I cannot tell you how many evenings I have rushed out of the house just minutes before dinner was ready only to return home several hours later, but nature waits for no man and if you are quick to seize the opportunity you will reap the rewards” says Mitchell. Mitchell’s Fire and Ice series, capturing a grassland fire which was started by lightning strikes  was one such occasion. He explains – “I was cooking dinner when I heard thunder approaching, I took a quick look outside and saw the sky glowing red from a grass fire, I dropped everything, rushed outside and managed to capture a few frames of this scene before the storm extinguished the fire it had started. This entire window of opportunity lasted a mere 20-30 minutes and was at it’s best stage for around 5-10 minutes.”

Fire and Ice. An early Spring lightning storm starts a grass fire and is capture here with strikes falling around and into the fire. Minutes later the storm extinguishes the fire it started and the moment is gone. From Mitchell Krog's Fire and Ice Lightning Photography Series. (Copyright Mitchell Krog - All Rights Reserved)

Fire and Ice. An early Spring lightning storm starts a grass fire and is captured here with strikes falling around and into the fire. Minutes later the storm extinguishes the fire it started and the moment is gone. From Mitchell Krog's Fire and Ice Lightning Photography Series. (Copyright Mitchell Krog - All Rights Reserved)

Safety is an important part of watching and photographing lightning storms. Finding a safe location with a good view is of the essence, you need to be able to see the storm approaching and be able to determine if you are in any way in the path of danger. “If your view is in any way blocked a storm can sneak up right behind you so a 360 degree view is preferrable, you also need somewhere safe to escape to. I’ve often been watching a storm in one direction when right behind me another one is brewing, so I always keep a watch all around me. Standing outside with a metal tripod and an electrically charged camera when strikes are falling too close is asking for trouble” says Mitchell. Mitchell insists that climbing on the roof of your house or any metal structure is a big no-no and could quickly cost you your life and he always promotes safe lightning photography. “There is just no image worth losing your life over” he adds.

Killer Storm. On the 23rd of November 2007 this mammoth supercell emitting lightning strikes up and out of it's core was captured by Mitchell Krog. The strikes emanating from the centre of this storm cell were kilometres in length and streaked across the night sky. This same evening several massive storm cells circulated through Gauteng and claimed lives in their path. (Copyright Mitchell Krog - All Rights Reserved)

Killer Storm. On the 23rd of November 2007 this mammoth supercell emitting lightning strikes up and out of it's core was captured by Mitchell Krog. The strikes emanating from the centre of this storm cell were kilometres in length and streaked across the night sky. This same evening several massive storm cells circulated through Gauteng and claimed lives in their path. (Copyright Mitchell Krog - All Rights Reserved)

More articles and images in this series on Lightning Photography will follow in the coming months.

Take your Photography to the next level with 123di

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Posted on 21st July 2010 by admin in Software

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So you’re more than just a budding photographer now. You’ve been getting great feedback about your photos and you just love doing what you’re doing. Well now it’s time to take things to the next level with the 123 of Digital Photography. This program has become renowned as the defacto learning guide and you can purchase, download and start improving your photos right now.

So what are you waiting for? Click here to see what else 123di can do for you. You’ll thank yourself and hopefully you’ll come back and thank me too.

Happy Clicking.

Adobe Releases Lightroom 3 (Final)

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Posted on 8th June 2010 by admin in Software

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Good news for Lightroom users. Adobe has released final code of version 3 of the product.

Click here for more info
or
Click here to download a trial (registration required)

Adobe Lightroom 3 Final Released

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